Oriental
art has drawn people’s attention since the time immemorial. Mysterious,
symbolic, it stunned imagination and welded the eye. Veiled under the brightest
ever colors, bristling with gilded embellishments, the payal, silvery little
bells ringing in pace with the charming movements of her body – that’s
how the Hindu woman dancer appears before us. She is not only the joy for
the eye; she is also the play of mind, fantasy and imagination. She is
the embodiment of thought and sensibility, flame and passion, restfulness
and contemplation.
What are human hands? What are they made for? To take and to put – these
are their major elements. But hands-feelings – is something else. What
is hand-love, hand-parting, hands-sea, hands-flowers?.. And a glance, following
in the wake of the flying off birdlike hand, - is not really the glance
of the one who follows – it is her flight. “Where there is a gesture, there
is a glance, where there is a glance, there is a thought, where there is
a thought, there is a feeling”- this is the golden rule of Natyashastra
– the old Hindu treatise on the art of dance.
The Hindu dance ensemble Mayuri was started
at the Railroad Workers Club in the city of Petrozavodsk in 1987. The ensemble’s
head is Vera Ivanovna Evgrafova, the Republic
of Karelia’s Honored Worker of Culture. In 1995 the Karelian Culture Ministry
awarded the Mayuri ensemble with the honorary
title Popular Group. In the ensemble’s repertoire
are more than 90 stylistically diverse of India, among them dances from
India’s movies.
In the ensemble’s company are 20 dancers ranging in age from 15 to 25 years.
The creative work of the ensemble was highly appraised by India’s art lovers,
among them by the Consul General of the Republic of India Mr.
Rajagopalan and the Cultural Attache of the Consulate Mr.
Ramesh Chandra, due to whose recommendation the Government India
granted stipends for the ensemble’s soloist dancers for internship in dance
institutions of the city of Delhi.
The Mayuri ensemble’s soloists Elena
Fiskovets and Natalya Fridman have
taken a yearly course of tuition with the renowned pedagogues – Saroja
Vydyanathan (Bharat-Natyam style) and Pandit
Jaikishan Maharaj (Kathak style). In 1998 the ensemble was awarded
Grand-Prix
and
twice Laureate of Russian dance contests in
Tikhvin
and Tuapse.
Tikhvin.
Laureate.
Tuapse.
Grand-Prix.